Kabalevsky Op. 27 no. 14 Scherzo
This Scherzo includes a number of important techniques, including staccato articulation, chromatic fingerings and hand crossing. Bring out the rhythmic figure of dotted quarter note, followed by three eighth notes, which is an important unifying device. I find this piece a great example of how Kabalevsky was able to create completely unique soundscapes within these miniatures.