Burgmüller Op. 100, no. 8 Gracefulness
Bach called this figure a cadence when he included it in the table of ornaments of the Clavier-Büchlein. We know it better as a turn. Burgmüller writes it out for this etude and uses it to great effect. Employ a delicate touch and strive for melodic clarity. Dynamics are important here: keep the first section quiet and understated, and, in the second section, emphasize both crecendos leading to forte.